Ill Factor mentions how much he likes this plugin, in part because of its Filter feature. After that is the Echo plugin, creating a stereo delay synced to 1/8 notes of the project tempo. Next up is Ableton Live’s Chorus/Ensemble plugin, set to Classic mode. The first is the Compressor, which will help smooth out the dynamics of the part.Īt the bottom is the guitar effects chain ill Factor used for his part. The rest of the effects are all from Live’s collection. The first plugin in the chain is Native Instruments Guitar Rig 5, set to a model based on a Vox AC30. Once the signal is digitized, and inside Ableton Live, he uses a chain of plugins to shape the guitar sound further. He overdubs the guitar directly through a Warm Audio WA-73, a Neve-style preamp and EQ, and then a Warm Audio WA-76, and an 1176-style FET compressor. The Squire is not an expensive instrument, but he fortifies its sound with outboard gear and software. His guitar track consists of a simple single-note part with an eighth-note feel, recorded with a Fender Squire Telecaster. Ill Factor about to hit a button on his Ableton Push controller. In other words, the icing on the top rather than anything foundational. Instead, he’s looking to add tracks that will enhance the overall feel.

He stresses that he’s not adding anything that will change the vibe at this juncture in the production. The song already has a virtual guitar track in it, but ill Factor figures that a real guitar will work nicely, too. While playback is looping so that singer Jared Evan can work on the lyrics, ill Factor records a guitar part. In this excerpt from Start to Finish: Ill Factor - Episode 6 - Working On The Top Line & Loop Workflow, we find ill Factor taking advantage of Ableton Live’s flexible capabilities. One of the most potent aspects of Ableton Live is how it facilitates experimentation and creativity.

How to sidechain in ableton